![\"CarrotSoup\"](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/CarrotSoup-300x225.jpg\")
When I was at University I loved the study of semantics \u2013 how the meanings of words change. I wasn’t too bad at it either and even looked forward to writing a paper on it over the Christmas holidays.<\/p>\nWhen I was at University I loved the study of semantics \u2013 how the meanings of words change. I wasn’t too bad at it either and even looked forward to writing a paper on it over the Christmas holidays.<\/p>\n
Unfortunately I fell sick with glandular fever \u2013 my throat was so swollen I could only eat soup. Still I shuffled into the library to consult the huge leather-bound Oxford English Dictionary reference volumes. I couldn\u2019t eat, but I could still read! The reference volumes were dusty, heavy, and so big a single one took up a whole desk. I stayed there as long as I could before my sickness drove me back to bed, then I returned the next day. Good job I did, I ended up getting a ‘first’ for that paper!<\/p>\n
Semantics isn’t only fascinating to research, it allows you to speculate and gain insight into past societies and human nature.<\/p>\n
![\"Old_book_bindings\"](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/Old_book_bindings-300x200.jpg\")
Take the word ‘fear’ for example. In Modern English \u2018fear\u2019 means \u2018to regard with fear, be afraid of a person or thing as a source of danger\u2019 and hence involves a subjective experience. However, this meaning did not develop until the fifteenth century (c1460) and previously meant \u2018to inspire with fear\u2019, and hence involved an objective experience. The word has therefore experienced a \u2018transfer\u2019 of meaning during its development.<\/p>\n
The most likely explanation for this is creativity. It\u2019s in our nature to look for new and inventive ways to express ourselves. By taking the earlier meaning [this or that fears me] and applying it to oneself to create a new way of expressing fright [I fear me], the act of feeling fright comes to be equated with the word \u2018fear\u2019. For example, by \u2018I fear me <\/em>he is slain\u2019 (Edward II, IIiv<\/a>) Marlowe meant \u2018I am frightened<\/em> he is slain\u2019. Repeated use of such a phrase would have resulted in an intrinsic association of being frightened and the word \u2018fear\u2019, so that fright eventually became a separate, and eventually dominant meaning. There was no need for this to happen, only our natural sense of creativity meant that it did.<\/p>\n Makes sense, right? Creativity should be a force of language change.<\/p>\n Hast thou the pretty worme of Nylus there,<\/em> Yet in Modern English this meaning is obsolete and \u2018worm\u2019 primarily means:<\/p>\n \u2018any of various types of creeping or burrowing invertebrate animals with long slender bodies and no limbs, especially segmented in rings or parasitic in the intestines or tissues.\u2019<\/em><\/p>\n In addition, somewhere in the ninth century (c.893) the word came to mean \u2018any animal that creeps or crawls\u2019, and during the eleventh century, at the same time as acquiring its Modern English definition, it came also to mean \u2018the larva of an insect, maggot, grub or caterpillar, especially one that feeds on and destroys flesh, wood, fruit, cereals, etc\u2019. The kinds of semantic change going on here involve \u2018generalisation\u2019 (an extension of meaning), \u2018specialisation\u2019 (a narrowing of meaning) and \u2018transfer\u2019 (a transference or meaning between two or more referents).<\/p>\n However, the referential scope of the word was then narrowed by adding the feature of \u2018invertebrate\u2019 to its definition, thus \u2018specialising\u2019 the word into a different more specific sense. \u2018Worm\u2019 no longer referred to any<\/em> animal, but again to special (though different) type of animal, and hence experienced \u2018specialisation\u2019.<\/p>\n Finally the additional \u2018larva\u2019 meaning of \u2018worm\u2019 was developed through association between the common features of these two referents. The appearances and movements of (what we know now as) larvae were observed to be so similar to those of worms that the word was used (for a time) to refer to both. In this way the meaning of \u2018worm\u2019 was \u2018transferred\u2019 from one referent to another, from worms to larvae.<\/p>\n When such words as lizard, dragon, serpent and caterpillar, and later larva, were eventually adopted from other languages \u2018worm\u2019 was replaced. It was no longer needed to refer to all creepy creatures, only for worms. It was also no longer needed to refer to \u2018larva\u2019, since this word was soon introduced into the language from Latin.<\/p>\n Where creativity comes back into play, however, is with the word\u2019s developed meaning of \u2018insignificant or contemptible person\u2019. Similar to such words as \u2018dog\u2019, \u2018bitch\u2019, \u2018pig\u2019 and \u2018cat\u2019, \u2018worm\u2019 can be used to describe someone seen as having worm-like characteristics or tendencies (ie. being slimy and destructive). Thus as Philip Sidney wrote metaphorically in \u2018Arcadia\u2019:<\/p>\n O Clinias,\u2026 the wickedest worme that ever went vpon two legges.<\/em> \u2018Worm\u2019 can also be used in relation to certain emotions, and has developed the meaning of \u2018a grief or passion that preys stealthily on a man\u2019s heart or torments his conscience\u2019. Hence \u2018the worm of [my] conscience\u2019 is used figuratively by both Chaucer (Doctor\u2019s Tale, l.280<\/a>) and Shakespeare (Richard III, Iiii l.222<\/a>).<\/p>\n Such developments again have involved \u2018transfer\u2019 of meaning: from worms to mankind and their emotions. But this time the process depended on figurative expression rather than association of concrete common features (as with the transfer of meaning between worms and larva). Men, or their emotions, do not actually look or move like worms, yet through metaphor came to be compared to worms in an abstract, figurative sense. Someone somewhere consciously coined the metaphor to illustrate the (slimy, destructive) characteristics of a certain person or the (burrowing) actions of a certain emotion. Then, through repeated use by others, the metaphor ceased to be figurative and became a permanent alternative meaning.<\/p>\n The motivating factor in this case was therefore most likely to be the desire to express things figuratively, rather than the need for new words. Society did not need<\/em> a new word to describe a contemptible person, but welcomed the opportunity to have a new and figurative way of saying so. Why? Because being creative is part of human nature. Our creativity solves problems, imagines new and useful objects, dreams up concepts, technology and experiments and… drives changes in the development of our language.<\/p>\n I\u2019m afraid of the dragon.<\/em><\/p>\n Every time we choose to use a word we define and redefine its meaning. The power is ours!<\/p>\n What words have you used, or embraced using, in a new and inventive way lately?<\/p>\n","protected":false},"excerpt":{"rendered":" When I was at University I loved the study of semantics \u2013 how the meanings of words change. I wasn’t too bad at it either and even looked forward to writing a paper on it over the Christmas holidays. Unfortunately I fell sick with glandular fever \u2013 my throat was\u2026<\/p>\n![\"Beowulf_dragon\"](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/Beowulf_dragon-244x300.jpg\")
It\u2019s not the only force of change, however. Take the word \u2018worm\u2019 for example. The earliest definition of \u2018worm\u2019 is \u2018a serpent, snake, dragon\u2019, as in Beowulf\u2019s \u2018Pa se wyrm onwoc’ (l.2287), as well as in Shakespeare\u2019s:<\/p>\n
\nThat killes and paines not?<\/em>
\n(Anthony and Cleopatra, Vii<\/a>)<\/p>\n![\"Zena](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/Zena-Shapter-creeping-crawling-things-e1461639182322-300x201.jpg\")
In the first place, the meaning of \u2018worm\u2019 was clearly ‘generalised’ by having the restricting features of the word\u2019s definition reduced. Instead of referring to specifically named<\/em> creatures (ie. serpents, snakes and dragons), these specifications were extracted and the definition was extended to refer to any<\/em> creeping or<\/em> crawling animal. Thus the word experienced the process of \u2018generalisation\u2019.<\/p>\n![\"Zena](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/Zena-Shapter-biology-11th-century-small-300x239.jpg\")
These semantic changes are most likely explained not by creativity but by the English language\u2019s lack or excess of words at any one time to describe the creatures involved. Changes in English society, particularly developments in the growing discipline of biology, would have created a need for new words to describe different creatures. The language would not have been refined enough to already have naming words for all of earth\u2019s animals (just as ‘blue’ is the last colour societies generally name<\/a>). So, until borrowing from another language or making up the appropriate new words, \u2018worm\u2019 was used to refer to all creepy-crawly type animals.<\/p>\n
\n(IIIxiii<\/a>)<\/p>\n![\"worm](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/RichardIII-200x300.jpg\")
<\/p>\n![\"Zena](\"http:\/\/zenashapter.com\/blog\/wp-content\/uploads\/2016\/04\/Zena-Shapter-I-fear-me-the-worm-300x235.jpg\")
I fear me the worm.<\/em><\/p>\n